V-RAPTOR XL (Copy)
An expansion of the most powerful and advanced RED® camera platform ever. RED’s new flagship V-RAPTOR 8K VV + 6K S35 Multi-Format Sensor harnessed in an all-in-one, large-scale production ready XL camera body.
SPECIFICATIONS (V-RAPTOR XL)
MULTI-FORMAT
8k @ 120FPS | 6K @ 160FPS
Frame Rates
17 + STOPS
Dynamic Range
2-7 stops with control down to 1/4 stops
- Electronic ND System
INDUSTRY STANDARD
INTEGRATED I/O ARRAY
12V and 24V Power Outputs
Powerful & Versatile
INTELLIGENT FOCUS OPTIONS
Advanced
WIRELESS TIMECODE & GENLOCK
Remote & Virtual Production Ready
DIRECTOR / CINEMATOGRAPHER
ZACK SNYDER
“The V-RAPTOR XL has everything we need. We already knew the V-RAPTOR sensor produces great images, but now with added features that come with XL, we’re even more excited. The internal ND system has an amazing benefit to our production methodology. We’re shooting wide open all the time, so that is just vital. The XL is an amazing studio camera. With technology like this, there’s no excuses left, now it’s on you.” – Zack Snyder, Director / Cinematographer
INTEGRATED ELECTRONIC ND SYSTEM
WITH PRECISION CONTROL
The V-RAPTOR XL features an all-new electronic ND system which provides unprecedented precision controls for no-compromise exposure management.
INDUSTRY STANDARD
INTEGRATED I/O ARRAY
V-RAPTOR XL Features the most flexible and robust power and I/O ecosystem available in the market today. 4K and HD SDI monitoring, support for direct-attach monitor, discreet LUT management, intuitively placed power outputs, all designed to support large productions.
Purpose-built For
Camera Teams
“I really am excited about how much more space for accessories, additional power supply, and outputs the XL offers. Not just that but being able to speed things up and be more efficient with the internal ND’s means no more switching filters in and out, we can just adjust wirelessly. It gives us everything we need to do our job efficiently.” – Braden Batsford, First AC
MORE POWER
OPTIONS & FLEXIBILITY
Offering the widest power source compatibility of any comparable cinema camera.
Dual-Voltage Battery Support
With the versatility to utilize 24-34V high-voltage batteries with multiple auxiliary power outputs, transforming the V-RAPTOR XL into the power management hub for all accessories, or standard 12V-16V batteries when auxiliary power is not needed.
ADVANCED INTELLIGENT
FOCUS OPTIONS
V-RAPTOR XL features in-camera AI processing and on-sensor enhanced phase detect autofocus, offering the versatility and confidence for users to bring its unparalleled cinematic image performance into new worlds. Upcoming enhancements also include face detection and object tracking.
SYSTEM BENEFITS
- Fast-Rolling Shutter – 2x Faster than any previous RED sensor
- Fine Degree of Control / Fine-tuning shutter angle
- Sensor Sync Shift and PTP Sync
- IP based remote control and viewing
- Network control capabilities such as livefeed, camera control and settings control
- Multi-camera control
- Low-Latency SDI Feeds
- Realtime camera and lens metadata
ADVANCED COOLING SYSTEM
The XL System features an all new three-stage cooling system. Dedicated fans cool both auxiliary power components and camera components separately, while a thermoelectric heat exchanger maintains precise sensor temperature. This advanced cooling system means quieter operation, less black shading, and a more robust system no matter the environment.
PRODUCTION PACK
- V-RAPTOR XL™ camera system
- DSMC3 RED TOUCH 7.0” LCD MONITOR WITH DSMC3 RMI CABLE (18”) AND SUNHOOD
- REDVOLT XL-V (or XL-G) Batteries
- Red Compact Dual V-Lock or Gold Mount Charger
- RED Pro CFExpress 2TB cards and card reader
- V-RAPTOR XL™ Top Handle with extensions
- V-RAPTOR XL™ Riser Plate
- V-RAPTOR XL™ Top and Bottom 15mm LWS rod support brackets
- DSMC3 RED 5-pin to Dual XLR adapter
FORM FACTOR COMPARISON
V-RAPTOR
- Compact body measuring only 6″ x 4.25″ x 4.25″ and just over 4 lbs
- Rugged dust and water resistant design
- Robust professional I/O array including 2x 12G SDI outputs and 5-Pin Audio Connector w/phantom power capability
- Integrated and easy-to-navigate control display
- USB-C interface for remote control, ethernet offload, and more
- Compatibility with RED Control app
V-RAPTOR XL
- All-in-one body measuring 8.5″ x 6.5″ x 6″ and weighing 8lbs with PL Mount
- Electronic ND system for precise exposure control
- Interchangeable lens mount
- Compatibility with both 26V V-Mount or Gold Mount batteries with an array of high performance 12V and 24V outputs
- Includes a built in Ambient Lockit module capable of wirelessly syncing Timecode and Genlock
Technical Specifications
Sensor Specs
| Sensor Type | V-RAPTOR™ 8K VV 35.4 Megapixel CMOS |
|---|---|
| Effective Pixels | 8192 × 4320 |
| Sensor Size | 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) |
| Dynamic Range | 17+ stops |
Key Features
| Built-in ND |
Motorized clear filter and precision controlled electronic ND filter
Electronic ND minimum density 2 stops, maximum density 7 stops Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop |
|---|---|
| Mount Type |
Interchangeable lens mount, included V-RAPTOR XL PL Mount (shimmable) Optional V-RAPTOR XL Locking Canon EF Mount Physically compatible with DSMC Lens Mounts, but does not provide electronic communication or control |
| Battery Type | Integrated Dual Voltage 14/26V V-Lock battery interface | Integrated Dual Voltage 14/26V Gold Mount battery interface |
Recording
| Max Data Rates | Up to 800 MB/s using RED branded or other qualified CFexpress media cards1 |
|---|---|
| MREDCODE® RAW MAX FRAME RATES |
120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456) 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024) 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592) 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160) 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728) 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296) 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864) |
| PLAYBACK FRAME RATES (PROJECT TIME BASE) |
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions |
| BEST AVAILABLE REDCODE® SETTINGS |
REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps |
| REDCODE® RAW ACQUISITION FORMATS |
8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1 |
| Apple ProRes |
Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT with resolutions up to 4K (4096x2160) Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) |
General
| Construction | Aluminum Alloy |
|---|---|
| Weight | 7.99lbs (with PL Mount, V-Lock) 8.08lbs (with PL Mount, Gold Mount) |
| DC POWER INPUT | 19.5-34 V via 4-pin 2B DC-IN |
| Operating Temperature | 0°C to 40°C (32°F to 104°F) |
| Storage Temperature | -20°C to 50°C (-4°F to 122°F) |
| Relative Humidity | 0% to 85% non-condensing |
ADDITIONAL FEATURES
| Color Management | Up to 800 MB/s using RED branded or other qualified CFexpress media cards1 |
|---|---|
| MREDCODE® RAW MAX FRAME RATES |
120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456) 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024) 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592) 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160) 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728) 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296) 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864) |
| PLAYBACK FRAME RATES (PROJECT TIME BASE) |
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions |
| BEST AVAILABLE REDCODE® SETTINGS |
REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps |
| REDCODE® RAW ACQUISITION FORMATS |
8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1 |
| Apple ProRes |
Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT with resolutions up to 4K (4096x2160) Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) |
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