RED Ranger With Monstro 8k VV
8K resolution in a Super 35 format and recipient of the highest DxO score ever
Product Information
RED’s RANGER is an integrated Large Format 8K camera system offering an all-in-one system for production use. It features all of the benefits of the MONSTRO 8K VV sensor within a less complex platform for filmmakers. Features like integrated I/O’s, 24V power out, shimmed PL Mount and improved thermal performance offer unmatched versatility as well as peace of mind in challenging shooting environments. The camera will ship complete with necessary rigging and support for improved set-up time.
RANGER is capable of handling the rigorous strain and robust power needs of high-end studio productions. Supporting wide input voltage (11.5V to 32V) and more independent SDI and AUX power outputs, as well as an integrated XLR audio input. The camera also boasts a larger fan for quieter and more efficient temperature management.
| SENSOR TYPE | MONSTRO 35.4 Megapixel CMOS | |||
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| EFFECTIVE PIXELS | 8192 × 4320 | |||
| SENSOR SIZE | 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) | |||
| DYNAMIC RANGE | 17+ stops | |||
| MAX DATA RATES | Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
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| MAX FRAME RATES 1 | 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
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| PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions | |||
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 |
5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps |
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| REDCODE RAW ACQUISITION FORMATS2 |
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
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| APPLE PRORES | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
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| AVID CODECS | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps |
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| CONSTRUCTION | Aluminum Alloy | |||
| WEIGHT | 7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount) 7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock) |
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| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) | |||
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | |||
| RELATIVE HUMIDITY | 0% to 85% non-condensing | |||
| COLOR MANAGEMENT | Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
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| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Integrated dual channel 5-pin XLR with preamplifiers, uncompressed, 24-bit 48 kHz |
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| REMOTE CONTROL | External R.C.P. WiFi antenna with SMA connector Ethernet, RS232, and GPI Trigger |
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| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and MON-1 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable. | |||
| REDCINE-X PRO DELIVERY FORMATS |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
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| VIDEO EDITING SOFTWARE COMPATIBILITY4 |
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |
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Tech specs reflect both current and projected information. Everything is subject to change.
1.REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.
2. For more information on available acquisition formats, see the DSMC Operation Guides.
3. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.
- DSMC2 BRAIN w/ selected sensor
- DSMC VV Al PL Mount 2.0 (MONSTRO Only)
- DSMC Front Body Cap (HELIUM, GEMINI, & DRAGON-X Only)
- DSMC2 VV Standard OLPF (MONSTRO Only)
- DSMC2 S35 Standard OLPF (HELIUM, GEMINI, DRAGON-X Only)
- DSMC AC Power Adaptor
- 2-Year Standard Warranty
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