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The Leitz Thalia lenses offer a large image circle that covers sensors up to the ARRI ALEXA 65, but can be used to create equally stunning images on VistaVision and Super 35 sensors and film stocks as well.
The magic happens in the design process, where choices in coatings affect the color and contrast, where the inclusion of exotic glass elements and shapes determine the treatment of highlights and focus fall off
Creating magical, meaningful images is not just about technical specifications and charts. It takes a skilled cinematographer and a lens with the character needed to bring their vision to life.
The next generation of high-end large format prime lenses.
Entering new ground with the first set of premium parfocal large-format zoom lenses.
High performance 1:2 makro set within the THALIA set. 24 mm, 55 mm, 120 mm.
Unique and small. A new way to look at light, skin and color.
THE DIOPTER – REINVENTED Incredibly detailed.
Create the smallest, fastest, most compelling camera package possible by using Leica M 0.8 lenses on the ARRI ALEXA Mini LF, ARRI ALEXA Mini and AMIRA camera.
The Sony Venice cinema camera is a perfect match for the fast, compact and iconic M 0.8 lenses. Originally designed for full-frame coverage, the Leitz M 0.8 lenses take full advantage of the Venice sensor in a way that highlights all the characteristics that make these lenses unique in the world of motion picture optics.
Bring more to the set.
A simple innovative directors viewfinder and a practical support system for Leica SL cameras.
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